Traditional final natural varnish. Imparts greater brightness and shine to colors. Its natural amber color and any sediment do not compromise the final result. Tends to yellow.

Composed of ketonic and acrylic resin (45%), white spirit, and a UV filter. A glossy, non-yellowing varnish. UV filter provides partial protection. Reversible. Painting must be completely dry before varnishing.

Composed of ketonic and acrylic resin (45%), white spirit, and a UV filter. A glossy, non-yellowing varnish. UV filter provides partial protection. Reversible. Painting must be completely dry before varnishing.

Composed of acrylic resin (30%), white spirit and silica. An iridescent solution that produces a matte, very resistant film. May be mixed with Gloss Picture Varnish for varying degrees of glossy or matte effects. May not be applied to very absorbent surfaces that have not been treated with an insulating varnish. Reversible.

May be used for acrylic or oil painting as an alternative to conventional solvent varnishes. Easy to apply, it imparts a matte finish. It does not yellow with age.

Composed of ketonic and acrylic resin (25%), white spirit and poppy seed oil. A fatty varnish that, when mixed with oil colors, prevents uneven drying, and produces bright tones. Increases adhesion and flexibility of colors. Use sparingly.

This fatty amber finish gives paintings other objects an antique look. It is used as an undercoat for the Picture Cracking Finish. Yellows with time.

An amber solution, ready to use, this varnish gives paintings and other objects an antique, cracked look. Brush over surface treated with Patina Varnish. Once the cracks are formed and blackened, apply another coat of Patina Varnish. Temperature and humidity affect the size of the cracks.

An amber solution, ready to use, this varnish gives paintings and other objects an antique, cracked look. Brush over surface treated with Patina Varnish. Once the cracks are formed and blackened, apply another coat of Patina Varnish. Temperature and humidity affect the size of the cracks.

An amber solution, ready to use, this varnish gives paintings and other objects an antique, cracked look. Brush over surface treated with Patina Varnish. Once the cracks are formed and blackened, apply another coat of Patina Varnish. Temperature and humidity affect the size of the cracks.

Composed of acrylic and ketonic resin (35%) and white spirit. A final varnish combining the flexibility and hardness qualities of its components. It may also be used with other media.

Composed of ketonic resin (25%), white spirit and petroleum essence. A light final varnish, suitable for removing masked areas formed on unfinished areas while painting. Medium drying time. May also be used as a final varnish when a little gloss is desired.

This golden solution, also called "Fatty Essence" is used as a medium to increase the shine and flexibilty of oil paints.

May be used for acrylic or oil painting as an alternative to traditional solvent varnish. Easy to apply, it enhances the brightness of colors. It does not yellow with age.

May be used for acrylic or oil painting as an alternative to traditional solvent varnish. Easy to apply, it enhances the brightness of colors. It does not yellow with age.